|It has been over thirty years now since I started writing about wine. I was living in Paris and doing research on the history of the Bordeaux wine trade, and it seemed a natural thing to do. I was passionate about food as well, and it was not long before I added that to my repertoire: Paris had a lot to offer in that line, and it still does. When I returned to live in England in 1985 and began writing for the nationals, I added travel too, as that provided me with another canvas for describing food, wine, and of course history.
Things have changed a lot out there, however, and the chances of making regular contributions to our knowledge of wine, food and travel have become few and far between. Newspaper wine writing has degenerated into short strings of tasting notes mostly concentrating on the sort of wines that hardly deserve comment, let alone praise. Such specialised magazines as there are publish the views of their own ‘specialists’. The ‘generalist’ has become an endangered species.
Beyond the headland of the press, lies a great, stormy sea of blogs - so many vociferous tub-thumpers bending the ears of anyone who will listen and hoping that they too will become authorities once the waters finally calm.
With the future of the press as we know it hanging in the balance, we are told the blog is the way forward. Having resisted manfully for several years, I have decided to refind my voice, and from now on I intend to present a monthly diary, reporting on any interesting wines, tastings or meals, and from time to time throwing in a recipe.
Vienna and Back
Posted: 1st July 2014
The sun has come out and life has perked up a little since May. June had the added charm of a few days in Vienna with fresh white asparagus, big black cherries, strawberries and wine.
Last month I forgot to mention the tremendous deals offered by Searcy’s London champagne bars which provide tasting menus that are good value for money. The Boller nights look particularly toothsome:
Champagne Tasting at One New Change
Tuesday 22nd July at 6.30pm
Join us for the ultimate Henri Giraud Champagne tasting experience. You’ll enjoy 4 glasses of Henri Giraud Champagne and sumptuous Searcys canapés.
Tickets are £35 per person
Champagne Tasting at Westfield London
Thursday 17th July at 6.30pm
Join us for the ultimate Bollinger & Ayala Champagne tasting experience. You’ll enjoy 3 glasses of Bollinger Champagne and a signature Brut from its sister House Ayala, alongside sumptuous Searcys canapés.
Tickets are £35 per person
Champagne Jazz Party at Westfield London
Thursday 14th August from 7.30pm
Join us for a perfect evening of live jazz soulfully paired with a Bollinger & Ayala tasting flight and nibbles to soothe you into the weekend.
£20 per person tickets include:
Reserved Table in our luxurious lounge area
1 x 50ml of Bollinger Brut, NV, Bollinger Rosé, NV, Ayala Brut, NV. Nuts and Olives.
Bookings: 020 7871 1213 or email@example.com
Quite distinct from these offers the price of a good sandwich at a glass of champagne is very reasonably pegged at £10. A salad and a glass of fizz is just two pounds more. I am not sure you’ll do much better than this in the current economic climate and when Jeffrey Osborne persists in seeing wine as his principal cash cow.
Spain and Sherry
The first week of June had a Spanish theme. On the 3rd I attended the lavish launch of Iberica’s new restaurant near Farringdon Station in the city. Albert Adria, brother of Ferran Adria of El Bulli fame, and Nacho Manzano designed an extraordinary molecular meal that was well lubricated with the best sherries (Tio Pepe fino en rama) and Spanish wines. Two days later on the 5th there was a tasting and dinner at the Hispania restaurant organised by the Andalucian Tourist Board.
It was prefaced by a tasting led by Beltran Domecq which was a chance to get my tongue round some lovely sherries, such as the fino en rama from Williams & Humbert and the exquisite palo cortado from Gonzalez-Byass. There were seven courses (yes seven - including dessert) of red tuna with different sherries. Strange as it might seem, the preparations were all quite different and the presence of the tuna in the pudding merely suggestive, so it was actually quite a nice dinner, and I am grateful.
Every two years the Austrian growers display their wares in the Hofburg - the Habsburg winter palace in Vienna. It is a mammoth undertaking arranged over three days with lots of parties in the evening for those who have spent their days slurping and spitting wine. Here are my findings - space only permits me to include those which struck me as very good or excellent.
The fair is for professionals only before midday and it is worthwhile getting to the Wachau room at ten each day before the area is swamped. As a friend from Langenlois said ‘Three types of people come here Giles: serious winelovers; people who want to get the full value of their €40 ticket back; and genuine alcoholics.’ By four o’clock all the stands are blocked by crowds of drinkers who look with horror at anyone who spits out their wine and it is quite impossible to taste any more. I have never actually seen a fight break out, but it would not surprise me in the least.
For the past 30 years, all coverage of Austrian wine has begun with the Wachau, a region that has grown in importance since the Second World War and which was already committed to dry wines before the 1985 scandal. It is also necessary to hit the stars first. These winemakers are as well known to Austrians as soccer slebs are here and growers often attribute only a few bottles to the fair which are quickly drunk up. I headed straight for the genial Franz Hirtzberger. The best were the 2013 Honivogl Grüner Veltliner Smaragd and the Hochrain and the Setzberg Riesling Smaragds. Lukas Pichler seems fully in control now at FX Pichler and the wines are more confident: the Loibner Steiner Smaragd was possibly the best Wachau Grüner Veltliner of the vintage and there were gorgeous Riesling Smaragds from the Loibenberg and the Kellerberg. Rudi Pichler makes his wines as tight as a spring. His best Grüner Veltliner - the Wösendorfer Hochrain - was up with the frontrunners. Of the Rieslings it was also the Hochrain that excelled. Toni Bodenstein at Weingut Prager continued his series of wonderful wines: Grüner Veltliner Achleiten Smaragd and its even greater ‘Stockkultur’ version (ie old vines planted in 1937 - he calls the vineyard ‘a hospital’), the Riesling Federspiel from Steinriegl and the Wachstum Bodenstein particularly struck me. The latter was one of the best Austrian wines of the year.
There was return to the top table for the wines of Emmerich Knoll sensational Riesling Smaragds from Loibenberg and Schütt; a glorious Vinothekfüllung and a sweet Auslese. The Nikolaihof was bathing in glory after the Wine Spectator gave one of their wines a perfection-rating. The 2006 Im Weingebirge ‘Baumpresse’ (tree press) was lovely with its rose-petal scent, but the 1997 Vinothek wine was even better.
It has been a while since I tasted the wines of the Tegernseerhof, but I have always admired them. They had a splendid Riesling Kellerberg Smaragd and an impressive Gemischte Satz Smaragd made from 80-year old vines in a promiscuous vineyard. Alzinger too had a promising Riesling Smaragd from the Loibenberg and a bottle of his 2009 Steinertal reminded how good that had been. My old friend Högl disappointed me this year: only his ‘Vision’ Riesling Smaragd stood out, and fortunately not just for its silly name: gimmicky names are a poor alternative to vineyard sites. Johann Donabaum made one of the few tip-top Grüner Veltliners this year with his Spitzer Point Smaragd. His Riesling Setzberg was also first rate. The Setzberg also nurtured the second best Riesling Smaragd from the Mauritiushof (Gritsch). Their best was from the Tausendeimerberg.
The Weingut Schmelz occasionally grabs at my heartstrings. This year I admired the off-dry ‘Beste von Riesling’ which had a little taste of fresh apricots like so many 2013 Rieslings. Schmelz also made one of the best Grüner Veltliners on Pichl Point with a beautiful, poised, lyrical finish. The big Domäne Wachau co-operative also made a top Grüner Veltliner Smaragd on Achleiten.
The Weingut Pichler-Krutzler is owned by Erich and Elisabeth Krutzler and has vines in the Wachau and the Kremstal. The core of their Wachau vines lies close to those of Elisabeth’s father and brother at FX Pichler in Loiben. For me the best Wachau wine was the Loibenberg Riesling, but there is also a wonderful Pfaffenberg from the Kremstal with that haunting fresh apricot smell.
As you have probably seen, the 2013 vintage appears to have favoured the Rieslings more than the Grüner Veltliners, but it may also have been a stylistic choice as there were some exciting Grüner Veltliners from the Kamptal (see below). Now that the world has discovered ‘Grooner’ (rhymes with ‘crooner’) Austrian winemakers seem to want to strip it down and concentrate on elegance, rather than any inherent character the grape might possess. The lentilly taste Grüner Veltliner gives off on loess or primary rock soils was more apparent on the 2012s, like the Bründlmayer Lamm. Bründlmayer’s best wine for me was the Zöbinger Heiligenstein Riesling 2012 with its classic ripe white peach taste. Some of Bründlmayer’s neighbours in Langenlois are Ludwig and Maria Hiedler whose organic wines which get better and better every year and as always, they have a lovely Weißburgunder (Pinot Blanc) with an ethereal finish. The Rieslings from Steinhaus and the blended Maximum also bowled me over. Another Langenloiser is Fred Loimer. The news is that he had taken over the old Schellmann estate in the Thermenregion which used to make great things in a ramshackle if palatial renaissance house in Gumpoldskirchen. I tasted a good, international style Chardonnay: one to watch. Rudolf Rabl is also in Langenlois. He has a vast estate by Austrian standards but he is able to make a large number of very good wines, like his sappy Grüner Veltliner from the Käferberg.
The Weingut Mantlerhof with its loess soils in Gedersdorf is another favourite of mine. They are well-known in Austria as one of the specialists for Roter Veltliner, which is a green grape. Black grapes are called ‘blau’ or blue in German. So far no one has heard of it so there has been no move to call it ‘Roater’ or worse: ‘Rotter’ in the wine trade. Sepp Mantler’s best Roter Veltliners come from the Reisenthal vineyard where he has been experimenting with open fermentation (‘botega’). He is not a one-horse winemaker and makes other lovely wines. Possibly his best are the Grüner Veltliner Reserve from Spiegel and his Riesling from Zehetnerin.
One of my favourite Kremstal estates is the Geyerhof, the home of the redoubtable Ilse Maier. She always picks late if she can and a bit of botrytis adds a taste of pineapples to the Veltliner. The very best is the Gutsreserve, which spends up to four years in cask. Nearby, the Weingut Malat has some of its best land on the slopes below the great monastery at Göttweig. The Grüner Veltliner from the Höhlgraben site has classic typicity with a smidgen of botrytis.
It is impossible to attend Vievinum without paying a call on Ludwig Neumayer from the Traisental whose wines have that zinging purity of fruit that first wooed me when I began to write about Austria a quarter of a century ago. There was a lovely Grüner Veltiner vom Stein, but once again in 2013 the Rieslings shone: the Grillenstein and Wein vom Stein above all.
Similarly, a visit to the man mountain Berhard Ott is a sine qua non. He has become the voice and benchmark of Wagram Grüner Veltliner. The wines have something of the corpulence of their maker, particularly ‘der Ott’ and the Feuersbrunner Rosenberg 2012 with its authentic lentil character of loess-grown Veltliner. The nec plus ultra, however is the 2013 Ampora wine which has not only the lentil taste, there is a little hint of bay leaves as well.
Other parts of Lower Austria yielded fewer two to three star wines. In the Thermenregion, I was very impressed by the Riesling from the Freigut Thallern. New to me was the Weingut Heggenberger with its very good 2010 Pinot Noir. I visited my old friend Walter Glatzer from Göttlesbrunn in Carnuntum and noted his lovely St Laurent from the Altenberg (see below) and Georg Prieler from Schützen in the Leitha Hills to taste his wonderful Weißburgunder from the Seeberg. Then two of Erwin Tinnhof’s wines caught my attention: the 2011 Blaufränkisch Feldmühle and the Gloriette from the same vintage. The vines for Gloriette are 55-years old and the Blaufränkisch is grown on limestone, giving it a Burgundian silkiness.
There were more sensations from Styria in the south of the country. In South Styria Willi Sattler presided over an impressive collection of 2013s, but two older wines caught my attention: a 2011 Morillon (Chardonnay) from the Pfarrweingarten and a 2007 Weißburgunder from the same site that was truly enchanting. How well these wines age! Polz’s wines disappointed me a little this year, but I did like the Sauvignon Blanc Therese, grown at 450 metres; while the two Gross wines that appealed most were the simple Steirische Klassik Sauvignon and the cru-wine from the Nußberg. Weingut Wohlmuth in Kitzeck’s best wine was a Sauvignon Hochsteinriegl grown at an altitude of 500 metres. Winkler-Hermaden in South-East Styria has absorbed the old Stürgkh estate in Klöch and had a good range of excellent if slightly understated Sauvignons.
Besides the stands where the vignerons offered their wares there were a number of side events. The most important of these for me was the red wine tasting in the Redoutensaal (either those pictures go or I do). I had recently made a selection of the best Blaufränkisch wines for Decanter and as I had a lunch that day I concentrated on St Laurent and Pinot Noir. Of the former the best seemed to me to be (in descending order) Glatzer (see above), Allacher, Dopler, Keringer, Trapl, Auer, Gisperg and Kurt Angerer; of the Pinots, Claus Preisinger, Aumann (Reserve), Heinrich Hartl, Schloß Halbturn, Gisberg, Malat (Reserve), Cobenzl and Zahel’s Dolomit (both very good wines from within Vienna’s city limits) and Feiler-Artinger in Rust.
There was also an intriguing tasting that focussed on the geology of the Wachau and its effect on the taste of the wines which brought certain Wachaus into new focus, such as the Mauritiushof’s 2007 Riesling Tausendeimerberg, which derives some of its excellence from silicate marble; or Johann Donabaum’s Spitzer Point Grüner Veltliner of the same year which much like Bayer’s Ralais 2007 and Hitzberger’s Singerriedl of the same year is powered by paragneis. Perhaps the loveliest of these rocksucking exercises was the Riesling Schütt 2006 from Knoll the vineyard name of which commemorates the eroded shale (‘Schütt’) from the Gföhler Gneis terraces. FX Pichler’s 2007 Kellerberg Riesling owed some of its superiority to Gföhler gneis and loess.
Another exciting side event was an intimate dinner at Silvio Nickol, the new ‘gastronomic’ restaurant in the Palais Coburg. It was a celebration of Pinot Blanc/Weißburgunder organised by Georg Prieler, David Schildknecht of the Wine Spectator and the Austrian Master of Wine Andreas Wickhoff. Schildknecht in particular wanted to prove how subtle, complex and long-living were Austrian Weißburgunder (particularly those grown on limestone) and I think he succeeded admirably. The food was marvellous and some of the wines out of this world, and - as I was already aware - inextinguishable, like the Schenkenbichl from Hiedler, or Prieler’s Seeberg.
Spey Whisky Revisited
The rest of the month of was a bit anti-climactic, despite the Decanter Awards (plentiful Boller and oysters) and the annual TLS Party where the game it seems, is to try to avoid talking to anyone you might know and where, as I left, I heard a couple of ladies amusing themselves ecstatically on the other side of the lavatory wall. I had to suppress my desire to know which of our literary lionesses it might have been. I did, on the other hand, find the chance to go to Liberty Wines’ Piedmontese wine tasting and revelled in Aldo Conterno’s spicy 2009 Barolos Romirasco and Colonello.
I also had news of our friends at the Spey Distillery (sales at historicroyalpalaces.com ) who generously sent me samples of their range to taste in these rather more banal surroundings compared to their majestic launch in the Tower of London. I have to say that they all impressed me in their sweet, liqueur style, and I was struck by what tiny quantities they produce of each bottling. This is truly artisan whisky-making.
So, in ascending order, Tenné is matured in port casks and not subjected to chill-filtering. It tastes of sweet almonds and marzipan, but also has a young-ish classic Speyside character with a hint of fresh pears and some toffee on the finish. It gives the impression of sweetness and warmth.
12-year old. This is aged in new oak barrels and there is a little of that ‘Chardonnay’ character. On the other hand the dominant bouquet is of citrus fruits, oranges in particular and it is a very attractive whisky. This may be the best age-statement for the distillery?
18-year old. This was aged in sherry butts and was rich and sweet, and reminiscent of glace cherries and Dundee cake.
Chairman’s Choice. Here we enter into the range of real liqueur whiskies best enjoyed before a blazing fire. The nose is sweet and rich but behind it all is an irresistible flavour of cooked pears.
Royal Choice. This adds a further dimension of butterscotch and it is again rich, sweet and luscious. You do get the impression of long cask ageing here as the whisky is woody. I think it might be the perfect match for a Havana cigar.
An Unhappy Spring
Posted: 2nd June 2014
It has been an unhappy spring. The rain has bucketed down, and yet the Met Office has informed us this was the warmest May on record. It’s marvellous how that manage to turn bad news into something comforting. In terms of eating it has been dismal: not a cherry, nor a spear of white asparagus; a handful of sharp-tasting strawberries, and two nights ago, at long last, some minute, albeit authentic Jersey Royals. So I shall begin with royalty: the month began with a promising glimpse of it in the Tower of London, of all places, where I was invited to sample the whiskies made by a distillery I had not come across before: Spey Royal.
I suppose I must have visited at least half of the malt distilleries in Scotland, but I had never heard speak of this one in Scotland’s ski resort of Aviemore. The late and much missed Michael Jackson’s Malt Whisky Companion tells me that the modern distillery is better known for making Drumguish, which first ran off the stills in 1991. Its sister malt, Spey Royal, has been reputable in the Far East for some time, but it is unknown here.
The brand is the brainchild of two John McDonoughs, father and son, whose name should appeal to me - indeed, they might even be cousins of mine. They have splashed onto the scene through an arrangement with Historic Royal Palaces which will be selling the malts through their shops at the Tower, Hampton Court, Kew, Kensington and the Banqueting House in Whitehall at the fairly hefty price of £150 for a 70 cl bottle. The 18-year old is a toffee-rich whisky, which a pronounced, almond/marzipan taste. I wish them luck, and I was grateful, as always for the chance to see the Tower at dusk. It was a magical moment: not a tourist in sight, just the tolling of the bells and a few drilling squaddies taking orders from a barking NCO among a jumble of ancient buildings hardly known to us indigenous Londoners. It was a great treat.
Riesling is more in my parish than malt these days and there was a big tasting on 12 May. I only had time to taste the Germans but I noted some of the best Austrian producers were also there. I shall leave them for Vienna later this month. There is rather a dearth of German wine at the moment, with 2012 and 2013 making just small quantities and the bumper harvest of 2011 sold out. Hopes are now pinned on 2014, but severe hail has already eliminated large parts of the crop in some areas, the Ruwer, for example.
Many growers had only 2013s to show, although Steffen Christmann had brought his lovely 2012 Grosses Gewächs from Idig, and I was impressed by a collection of 2012s from Schloss Neuweier in Baden where the best Rieslings are grown on granite. Many growers had brought in special wines from their cellars: Schloss Saarstein, for example, topped a lovely 2013 Auslese with Gold Cap 2006, which was simply gorgeous. Maximin Grünhaus had no new wines, but a lovely Abtsberg Spätlese 2009 and a 2006 Auslese from the Herrenberg (N 14) that was out of this world.
Grünhaus’s neighbour in the Ruwer, Karthäuserhof, has had a change of ownership, but it has had no perceivable impact on the quality of the wines. There were exemplary Kabinetts, Spätlesen and Auslesen from 2013 and as a bonus, a Trockenbeerenauslese from that great sweet wine-year, 2011.
It is quite a privilege to taste JJ Prüm’s Mittelmosel wines. He is adamant that they cannot be drunk young, and the sulphury noses on his 2011s rather bore this out. They will be lovely in five years or so, particularly the Wehlener Sonnenuhr Spätlese with its taste of peaches and pears. The 2008 Sonnenuhr Spätlese is just beginning to give its all now, with its lovely cooling finish of yellow peaches. A 2009 Auslese from the same site added a hint of apricots, evidence of benign botrytis.
SA Prüm also had some decent things, but as ever it is more of a mixed bag. Very good were the 2007 Urziger Würzgarten Kabinett and 2005 Graacher Domprobst Spätlese; excellent the 2010 Erdener Treppchen Auslese. More consistent, perhaps is a Mosel traditionalist like Max Ferd Richter. I enjoyed his 2013 Brauneberger Juffer Kabinett and his 2007 Wehlener Sonnenuhr Kabinett as well as the 2002 Juffer Sonnenuhr Auslese. It is always a pleasure to try the Eisweine he picks from the Helenenkloster vineyard; in this instance harvested on 12, 12, 12. Every year the wild boars lay new plans to make off with the fruit, and every year Dirk Richter has to erect fresh defences to keep them out.
Heymann-Löwenstein is one of the Mosel’s leading terroirists, and his wines require an article of faith. Like many growers from the valley these days, he travels with a collection of stones which he thrusts at you as you taste. They tell you that the flavours of wine are dictated by the rock below the surface of the vineyard. When you sample the 2011 Vom blauen Schieffer, for example, some blue slate is brought out. The wine is stalky, wild and smoky, and yet very long and cooling. The 2011 Roth Lay is the very opposite: almost feminine and quite charming! Possibly the best was the 2012 Stolzenberg.
Another Mittelmosel stalwart is Selbach-Oster. The stars for me were the 2007 Graacher Himmelreich and the 2011 Zeltinger Sonnenuhr Spätlesen. There were a couple of properly mature wines too: the Zeltinger Sonnenuhr Auslesen from 1999 and 1995. Reichsgraf von Kesselstadt is always a curate’s egg, but there were some real highlights, such as the 2012 Ockfener Bockstein and 2011 Piesporter Goldtröpfchen Kabinetts, the 2007 Goldtröpfcehn Spätlese and the 2005 Wiltinger Scharzhofberg Auslese Fuder 10.
I passed briefly though the Nahe and Gut Hermannsberg which has reached new heights under its present owners, particularly good were the 2012 Steinterrassen and a 2013 traditional Kabinett. Also beautifully poised was the Steinterrassen Spätlese 2012. There was a majestic echo from the past: a 1989 Kupfergrube Trockenbeerenauslese. The colour was almost black, but it was all oranges and peaches on the palate. The Nahe’s greatest star, Hermann Dönnhoff was represented by a marvellous 2012 Oberhäuser Brücke Spätlese.
Wilhelm Weil in the Rheingau rarely disappoints. There was the 2012 Kiedricher Turmberg and the 2012 dry Grosses Gewächs from the Gräfenberg. The 2006 Turmberg Spätlese was sensational and the 2007 Gräfenberg Auslese wonderfully complex. There was also a wine from Joachim Flick, one of the rising stars of the Rheingau: his 2012 Hölle, which was very promising. From the Rheinterrassen in Rheinhessen came Heyl zu Herrnsheim with a good series of 2013s from its vines in Hipping and on the Brüdersberg. As a reward there was a 1983 Auslese from the Ölberg that seemed remarkably bright and youthful, and tasted of lychees.
The big Jura tasting occurred on the 14th. The region is wonderfully individual. Perched on the heights above Burgundy, the wines couldn’t be more different from those of the Côte d’Or. I think it must be true that it is hard to get grapes to ripen and the acidity levels are consequently high. Much of the wine is subjected to a second fermentation as sparkling wine, which allows for a good dose of sugar to be added. The famous name used to be Henri Maire with his ‘vin fou’. Still I like the light reds Trousseau and Poulsard, and the local Chardonnay. This time I decided to taste only Savagnin, which has an acidity comparable to Hungarian Furmint and which I am sure is some sort of cousin.
A good Vin Jaune or Château-Chalon should have bottle age to tame the acidity. With time an aroma of walnuts predominates. Some of this flavour comes from the ‘voile’, the friendly bacteria that settle on the surface of the wine much like the ‘flor’ in dry sherry. Most growers also make a reductive style where oxygen is banished from vat or cask and which highlights the primary fruit of the grape. Here is a little league table for top Savagnin:
Good: Domaine Hughes-Béguet (Savagnin 2009), Domaine Rijckaert (Arbois Grand Elevage 2010), Cellier des Tiercelines (Savagnin 2011); Very good: Domaine Jacques Tissot, Domaine Baud (Cuvée Tradition), Domaine Berthet-Bondet (Naturé, Tradition and Château-Chalon), Domaine de la Pinte (Arbois Savagnin), Champ Divin (Pollux), Domaine Joly (Vin Jaune), Domaine Rolet (Naturé 2011), Domaine André et Mireille Tissot (Château-Chalon 2007); excellent: Domaine de la Pinte (Vin Jaune), Daniel Dugois (Vin Jaune 2006), Jean Tissot (Vin Jaune 2006), Domaine Pignier (Vin Jaune 2006), Domaine Rolet (Côte du Jura Blanc 2008, Arbois Blanc Tradition 2008, Vin Jaune 2006), Chais du Vieux Bourg (Vin Jaune 2005), Domaine André et Mireille Tissot (Vin Jaune la Vasée 2007).
It’s not all white. I had some reds this month too! I had two rather lovely Malbecs from Trivento in Mendoza, a sharp-ish Reserve 2012 (£5.99 from Tesco) and a much richer Grande Reserve 2011. The Reserve had a nice high grown acidity about with lots of black cherry tastes, while the Grande Reserve was quite rich and creamy like a dish of rote Grütze, the German version of summer pudding.
Twenty years ago and more, I thought I might make my name as a tea-writer. Patronised by the charming Sethia family of London and Calcutta, I attended the long-discontinued auctions at Sir John Lyon House in London and travelled to Calcutta, Colombo, the mountains of Sri Lanka and Darjeeling. I wanted to go to the Nilgiris and Assam, but the former was dismissed as being ‘too ambitious’ in those days before the Hindu Tiger, and the latter was closed to foreigners due to civil war: they were frightened I might be kidnapped. The nearest I ever got was the airport.
There was civil unrest in Darjeeling too at the time of my first visit in 1991. I recall an envelope filled with baksheesh had to be made over to the policeman in the airport on the Terai before I could travel up to the gardens. I admired the way he was able to weigh it in the palm of his hand to ascertain that it contained the right number of crore rupees.
Although I was able to mug up a good deal about Indian and Ceylon tea, the subject was enormous: there was all the tea in China, African black tea (some of which was very good), Japanese green tea, and all those things which aren’t quite tea such as maté, Roibos and various herbal teas and infusions. I was reminded of the vastness of the subject by a visit to the Amanzi Tea Salon and shop in New Cavendish Street at the end of the month.
Amanzi paints with a broad brush. Using white (unfermented), green (slightly fermented) and black (fermented) forms of tea, maté and roibos, they make a range of refreshing flavoured drinks. They have a few classics too, such as Iron Goddess or Wuyi Oolong, St Margaret’s Hope first flush Darjeeling, a tar-and-bacon-scented Lapsang, sea-weedy Gyokuro, Yunnan Pu-erh, Japanese Gunpowder or Matcha tea. There is a lovely Jasmine tea, and some like Lychee Pomegranate that involve making artful blends of black, green and Oolong teas. They also make exciting infusions to put you to sleep or wake you up, help you to digest or inject you with energy. There are fruit teas and iced teas, smoothies, bubble teas, chais and lattes and a few cocktails - such as Mojito or Mar-Tea-Ni - that might have benefited from a slug of vodka.
I was very impressed by this new flavour-world. It was just the thing for a hot day in May, and better still, I hope for a sizzling June.
East of Eden
Posted: 6th May 2014
April should have been a nice, relaxing time after the travails of recent days; instead it lived up to its reputation as the cruellest month. If there was a high point, it was probably the lunch organised by Château Léoube on the 15th at Galvin at Windows in the Hilton. The chef, Joo Won, prepared a delightful meal full of vernal flourishes, and they all worked a treat with the limpid strawberry-scented rosé or its more serious brother ‘Secret’. The company was good and the sun shone, making the view of London interesting for once. How much nicer it is to be in the Hilton looking out, than to have to see that monstrosity from Hyde Park?
Léoube is one of two impressive rosé wines I’ve had this month, the other being the 2013 Pure Mirabeau which was wonderfully sappy and powerful. Léoube comes from the coast, right next to the presidential Fort de Brégançon where Flamby was snapped in his bathers with La Trierweiler not long ago, but I suggest you get that repulsive image out of your head before you try the wine and I am assured that Flamby will not be using his palatial retreat from now on. Léoube, by the way, is owned by Lord and Lady Bamford of JCB-fame.
At the beginning of the month there was an opportunity to celebrate the life of Hugo Dunn-Meynell who died last year. A stirring service was held at St. Brides in Fleet Street (although Hugo was a Catholic) with beautiful singing from their very professional choir. Memorial services are one of the things the British do best, and they provide a chance to sing all those stirring hymns we enjoyed at school. There was a reception at the Innholders Hall afterwards with plenty of champagne. I think Hugo would have wanted nothing less.
Hugo was one of the first people I met in the world of wine and food after I came back from Paris in 1985. We were both drummed in to judge a cocktail competition. He was hard to miss with his red socks and eyeglass and we ended up on the ITV news talking about the weird and wonderful things we had had to taste. In those days he ran the International Wine & Food Society in succession to its celebrated founder, André Simon. He had evidently made a lot of money in advertising and lived in some style in Mayfair. As he was passionate about the history of gastronomy, he used to commission the odd paper from me to go in the Society’s quarterly. The last time I saw him was about two years before he died when he came up with his wife Alice to have me sign a copy of my book on Grimod de La Reyniére. He seemed in good spirits, but very frail. He was a colourful figure who revelled in the joys of life; I doubt we’ll see many more like him.
On the 8th I went to a strange gathering in the East End laid on by Campo Viejo. Campo Viejo, a large rioja house in Logroño, has engaged Professor Charles Spence, who teaches psychology at Oxford, to conduct research into how wines fare under different lights and with varying musical backgrounds. There were about a dozen of us assembled there to act as guinea pigs. First of all we had to put a piece of paper on our tongues. The paper was unbearably bitter. To my surprise there were people present who found the paper quite tasteless. Spence explained that they were the ones with fewer taste buds who were rarely aware of what they eating or drinking. Then we were sent into in a whitewashed studio with a dark glass filled with rioja and had to note down how much we liked it under four different lights and an occasional blast of white noise. My scores did not vary much, but the wine seemed more astringent under green light.
Spence’s research should be of great interest to restaurants. Michelin used to award top marks to ‘palaces’ in the understanding that food tasted better in luxurious surroundings. You could achieve two stars for great cooking, but to obtain three, you needed to worry about ambience. Piped music must have a considerable effect. Charles Spence has proved that nasty lighting and annoying music don’t just put you off your food they make wine taste nasty too. As I caught the bus west, an old Swedish skin flick sprung to mind - I Am Curious: A Film in Yellow (Jag är nyfiken - en film i gult). Everybody was raving about it when I was at school, but I must have missed it.
On the 23rd George Sandeman was in town and at the old Sandeman cellars in the City. The Sign of the Don was showing a huge span of Sandeman vintage ports going back to 1944, and it was a fascinating opportunity to assess their performance since the Second World War. Many of these wines are actually available by the glass from the Sign of the Don, although some of the older vintages will naturally set you back a whack.
I visited Sandeman several times in the nineties, in what was almost certainly the nadir of their fortunes, but always enjoyed my visits immensely, largely because of George was so charming and put us all at ease. On one occasion I was part of the Sandeman crew in the barco rabelo race on the River Douro St John’s Eve. I remember tasting the 1977 in the Sandeman lodge in Oporto and being very disappointed. I ran into Michael Broadbent over breakfast in the Hotel Infante Sagres the next day, who muttered something about the 1928. That one I have yet to sample.
The 77 wasn’t performing too badly on the 23rd. The surprise for me was the 1944 (the 1945 was absent). These older vintages were really quite herbal, with a pronounced citrus and liquorice character. The 55 is still buoyant and the 63 and 66 too. Then there were some decent things in the early eighties, like 80 and 82. Sandeman returned to form with the 2007, and the 2011 looks like being quite stunning. We shall have to wait for that.
I was back in the East End again on the 28th. It was time for the Decanter World Wine Awards and I was due to do my stint as chairman of the German jury. Of course I got lost leaving the Underground station and I was half way to Essex before I smelled a rat. As it was, Tobacco Dock was quite a nice location, with exposed early nineteenth century beams and old ironwork, and there were bits of unblitzed Docklands down on the river around the Captain Kidd pub. I even passed a posh butcher on my way to Wapping. Things are clearly looking up!
We judges had been shoved into a new era of high-tech and had to perform out functions on iPads that crashed at every turn. We eventually got the hang of them, but we never did get our mid-morning coffee and lunch was after two. Your judgment is not always at its best when you see half your sentence has failed to appear on the screen or that the selfsame screen has disappeared yet again. Still, I think we did the wines justice and despite what were difficult vintages (principally 2012 for the whites and 2011 for the reds) we awarded a generous handful of golds.
The jury worked well. We are all old friends, or at least had become so before the end. The Ahr Pinots shone once again, even to the degree that we had a party of tourists from the Burgundy table who wanted to see for themselves how great Pinot Noir wines were made. I will take their visit as a compliment.
From Monday night the heirs to Bob Crow struck on the Underground and I was turfed off a train at Canonbury and made to walk home. In the absence of tube trains on Tuesday morning I schlepped from Blackfriars to Wapping, which took another hour. Had I been in a better mood I might have appreciated the occasional good view to be had from the river. That night I lingered talking of old times in the Captain Kidd, before boarding a mystery bus; then crossing from Aldgate to Moorgate to find another. We West-Enders will never get the hang of the East.
Marriage at Cana
Posted: 1st April 2014
Does it take a different sort of wine to tickle an historian’s palate? Not so long ago I gave a lecture on eighteenth century gastronomic literature at a seminar on the philosophy of taste that took place in the Maison française at Oxford. The distinguished classical historian Oswyn Murray, the world’s greatest authority on the Greek symposium, was presiding over the morning session and at half time he produced a curious bottle he had brought back from a trip to the Crimea.
It must have been an old cola bottle or something like that. He said that he had bought it from a Scythian peasant about fifteen years before, who had dug it out from behind a pile of logs. He was visibly excited, for this, he said, was produced in exactly the same way as the ancient Greek wine described in Hesiod’s Works and Days, with the grapes left out in the sun to dehydrate before being pressed for wine.
We had some of Oswyn’s wine with our sandwiches at lunchtime. I think it had once been very sweet, but with time and a less than perfect stopper, that sweetness had gone and what was left was rather sour and alcoholic. Still, it was a curiosity, and we had Oswyn to explain it, so we were quite pleased. I should probably add there was nothing else to drink with lunch, though we made up for the lack later.
In the Ratskeller in Bremen there is a barrel of wine dating back to 1648 and if you are very lucky and they think you are important they let you taste it. Again, the Peace of Westphalia and the end of the Thirty Years War make powerful calls for your historical imagination, yet the wine just tastes thick and sweet and is not an experience quite like so many of the hundred-year old and more Riesling wines I have had the privilege of tasting in Germany. The American army had the chance to drink it all up in 1945, but for some reason they let it be.
Some historical wines can actually be a pleasure - one has only to think of some fabulous old bottles of Madeira, for example. The oldest port I have ever drunk was a Dow’s 1832, made in the same year as the Great Reform Bill. It was still lively. As a rule sweet wines last longer than dry ones.
Once I was seated next to Prince Poniatowski at Lucas-Carton in Paris, which was just about the best restaurant in the world then. ‘Ponia’ was the owner of the Clos Baudoin in Vouvray and he had arrived with a few bottles of the 1871 from the domaine. The chef, Alain Senderens, had devised a special menu including a desert to do justice to the Clos Baudoin. It hardly needed Senderens’ wizardry to frame it: you had only to think of the brutal crushing of the Paris Commune at precisely the time when the flowers on the vines in the Loire Valley dropped their petals to become grapes; and this particular historic wine would have been stunning even if nothing significant had occurred that year.
Great vintages don’t always adhere to the years you might want to celebrate but some do. There was a tiny harvest in 1945, but the year produced some magnificent wines. I have had the good fortune to have had the fabulous Graham’s 1945 port several times, and courtesy of the wine writer James Suckling, on one occasion I even had the Lafite of the same year before hand, but never, I think the 1945 Mouton with its famous label ‘l’Année de la victoire’, designed by Philippe Julien. I am sorry to say that 1933, the year that Hitler came to power, was actually an excellent year for German wine.
I was in an historical mood when I tried Galilean wines for the first time. These are wines from near the ancient town of Cana and the Marriage at Cana must be one of the earliest extant description of a wedding feast. The canny groom (who had lamentably failed to provide enough wine) was accused of flying in the face of so many of his modern counterparts: ‘Every man at the beginning doth set forth good wine; and when men have well drunk, then that which is worse: but thou hast kept the good wine until now.’ (John 2, 10)
As I tasted them I imagined myself at the feast. The wines came from Lueria in Upper Galilee: a 45-acre estate owned by Josef Sayada where the grapes are grown on volcanic soils some 840-890 metres above sea level. I suspect that the wines Jesus was replicating were grown closer to the lake and both hotter and coarser.
The best of the Lueria wines was the 2011 Cabernet Sauvignon. It was quite cooling and had an authentic smack of Cabernet. It tasted of cooked blackberries but finished less well. It would cost around £20 in Britain. I quite liked the Terrace blend of Cabernet Sauvignon and Cabernet Franc. The Rosso I found hot and coarse, so perhaps more like the stuff served before Jesus was inveigled into providing the wine for the feast.
Also from the ancient world was a good wine from Cappadocia: the 2012 Kocabağ from Kaya Kapadokya. Made from the Ökuzgözü and Boğazkere grapes, it had a nice little whiff of raspberries with some of the same on the palate. It was fragrant and aromatic and there was a bit of tarry grip, but it was cooling, and not coarse or rustic. I liked it very much.
So the old wines of the Near East are raising their heads again? If you wanted, you could search out the modern descendants of Opimian or Falernian, but many of the wines of ancient Greece were nasty, and some of the modern ones not much better. And March was not exclusively taken up with the old world either: I had a nice wine from the Story Ridge Winery in California too: Panamera Cuvée Napa 2011. It was quite jammy with some confected, Cabernet Sauvignon tastes; slightly hot - a Napa failing - but not too alcoholic. There were hunky cassis tastes, length, power; it was a Napa wine all right, but good. It would also be near £20 a bottle if it were on sale here.
I have other concerns at present and spend my time praying for a miracle. Supplies dwindle while prices soar. If I only I could find someone to turn all this water into wine? But then again, I suppose he would only say ‘… what have I to do with thee. Mine hour is not yet come.’
Posted: 3rd March 2014
It is the second of March as I write and yesterday I finally put a monster to bed. I haven’t really thought about much other than this book for weeks, but in the middle of last month there was a little pause when I went on my usual February jaunt to the Domaine des Anges in Provence.
It is, as always, truffle season and I was getting good reports for the melanosporum, the local black winter truffles. Provence, rather than Périgord, is the source for sixty percent of these. My friend in the local village of Mormoiron, Bob Huddie, reported having eaten good things in January and February, but just before I left on 14 February, the weather warmed up and it began to rain. The last truffles of the season were consequently small (not much bigger than a cherry) and not as perfumèd as they might have been. They also shot up in price from €600 a kilo to nearer €800 locally, that means they would have sold for three-times that sum in Paris.
You win some, you lose some, I thought as I arrived in Marseille in the early afternoon on Friday to be greeted by brilliant sunshine and temperatures of around 15 Celsius. Apart from an occasional downpour and a light frost one morning, the weather stayed sunny and warm. On the way to the Domaine we stopped at the butcher in Mazan to buy some braising beef. Bob arrived later with a jar containing some rice and a dozen or so small truffles for our first course. He had obtained them from his cleaner, who had dug them up in her garden. Her soils were sandy. Up on the hill where we were, the land contains too much chalk to be good for truffles.
Despite their modest size, they were better than I expected. Bob wanted some served on crostini while the rest were committed to a brouillade de truffes, sometimes called an omelette aux truffes, which is essentially scrambled eggs, without milk, cooked in a bain-marie with a little cream and lots of butter. The truffles are then mixed in at the last minute or simply shaved over the top. The idea is that they should not get too hot, as that might dissipate the aromas. I think everyone was more than happy, as they were with the beef, which was not only excellent with the Domaine des Anges Archange, but also with Bob’s magnum of Château Cantemerle 2006.
The padrone, Gay McGuinness, was actually in seventh heaven, not so much as a result of the food, but because the powerful American critic, Robert Parker had finally pronounced on his wines, awarding 90 points to two of them and giving more than decent scores to the others.
The next morning we went in to the market in the lovely town of Pernes. It was very depleted. It was the beginning of half-term and the Parisians had yet to arrive. We stopped at my favourite baker with his hundred-year old oven and bought a vast miche or sourdough loaf. On Saturday afternoon we planned to visit a neighbouring estate, Domaine Vintur, which lies on the road between Carpentras and Malaucène. It is run by the Yorkshireman James Wood, who has wonderfully precise ideas about the sort of wine he wants to make and the way he wants his vineyard to look. We did an extensive tasting and I was extremely impressed by his whites. He inherited the 2011 reds from the previous owner as they were already in the vats when his boss bought the estate. They were good too, but I expect the 2012 and 2013 to be even better.
Winter is slow-cooking time, and we had a slab of belly pork to roast that night, which I had scored deeply to make some good crackling and put a lot of spice in the white wine it sat in as it slowly melted in the oven. The joy of cooking on a wine estate is that there is always plenty of material for marinades and braising, not least in the open bottles left over from the last night’s dinner. We still had two or three of Bob’s truffles and made some oeufs en cocotte with those.
Gay had had a visit from a lady that afternoon who had been restoring a portrait for him. She asked me if we wanted any wild boar, as her freezer was full of it. Her friend in Bédouin, she said, had been trying to rid Mont Ventoux of wild boars over the previous few weeks and had enjoyed a moderate success. I naturally said yes, and asked her if she knew of anyone who had truffles? When we got back that evening the boar and the truffles were there. The woman said that the truffles had been frozen, and I should put them back in the freezer if I was going to take them home. As for the boar, I left it in its blood and emptied a couple of bottles of Domaine des Anges over it and let it fester.
We motored up to Malaucène on Sunday, a larger and livelier town than Mazan with a huge hall-church at the centre. There were even a few people on the streets and stray dogs milling around - a rare vision in Provence in February. I made the usual Irish stew, starting it well before we went out. James Wood arrived for dinner bearing gifts: wine, eggs and more truffles, that he had obtained from a contact in a local bar. Again they were small, and lightly perfumed, but they made a lovely brouillade that was just what we needed before a steaming dish of Irish stew.
Monday was relaxed. We went to the splendid market in Bédouin for a vacherin Mont d’Or for that evening, then Dave Gargan and I went into Carpentras as I had ordered a book for my boy. To my horror I saw the bookshop was closed, but there was a light burning inside and a man moving around. I pleaded with him through the grille, and eventually he agreed to sell me my book. A good omen I thought. We spent a happy few hours in the Irish pub in Mazan celebrating while the lady behind the bar gave me tips on how to cook my boar.
The boar had been in blood, wine, and a little port for two days now. I sat in the feeble winter sun, filched it out of its marinade and cut it into manageable pieces. After browning it and setting it to cook it in its juices for a good three hours I went for a short sieste.
When I woke I was shivering. I think I must have caught a chill cutting up the boar. I am sorry to say that I missed a trick as a result, for I should have put our few remaining truffles into the mashed potatoes. As it was, I had very little appetite, but I noted that the boar was beautifully tender, and the marinade, reduced by a good half, was turned into a good, rich, black sauce.
And, after that short truffle break, I returned to London and the monster.
Posted: 3rd February 2014
As I seem neither to eat nor drink anything of consequence any more, the best I can do is talk about breakfast, which I suppose I must concede is an important part of a hard-working day. In the morning I have what is called ‘bed-tea’ in the Indian subcontinent, except I am not in bed when I drink it and I don’t get the biscuit they invariably give you in India. The tea is the fuel required to get the family on its feet. Once the children have left or have been delivered to their schools I have breakfast. This is comparatively simple: toast, butter, jam or marmalade and coffee. Simple yes, but I have to make virtually all the ingredients first.
I started making bread nearly a decade ago because decent loaves were almost impossible to find and what was only half-way good cost ridiculous prices from chichi shops. When I travelled a lot, I bought bread on the way home: a pain de campagne (there are still no decent baguettes in London), or a Landbrot: preferably something with a bit of shelf-life. I was no longer travelling much, however, so I started making simple white and wholemeal loaves and then, about six years ago, I created my starter. Since then, I have made a 1.4 kilo sourdough loaf about once a week.
I use 500 cls of the starter to 650 grams of white flour and 100 grams of rye and a bit of rock salt. Sometimes I think about increasing the amount of rye, but I have become lazy about experimenting. I buy either a fresh, crumbly English yeast which is hugely fast and enthusiastic but sloppy and unpredictable, or a tight German one called Rapunzel, that works slowly and methodically: it appears national character may be expressed by yeasts too. The bread is very filling. Two slices will sustain you till lunchtime. Event the best commercial bread is little more than air.
Jams and marmalades I also make myself. I have just done our Seville orange marmalade. That has to last the year, but I also make Robespierre (blood orange), King Billy (orange), Harry (lime), Jack (lemon) and the Imposter (grapefruit). The advantage of the rest of the citrus fruit ‘jams’ is that they can be made in batches when you need them; and they are good, so they run out fast.
Then there is coffee. I buy small green Ethiopian beans from a shop nearby, about 500 grams lasts for ten days or so, but then, I only make coffee in the morning. They have a slightly cheesy smell when roasted that derives, I’m told, from the fact they are allowed to ferment in their ‘cherries’ before they are hulled. As they are grown above 10,000 feet, they have a good acidity, which is what I want. The Ethiopians used to roast them for me, and I could smell them as I walked up Burghley Road to collect them. Then they got so busy serving the large local Ethiopian colony that they could no longer spare the time and they taught me how to do them myself. It is a lovely way of filling the house with the smell of fresh roast coffee. You just need to keep a clean old frying pan that is used for that alone, and then you shake them over a flame for about a quarter of an hour until you see the oil beginning to coat the swelling beans. The Ethiopian gentleman told me: ‘you will know they are ready by the smell.’ You let them cool in a bowl and keep them in the freezer until you need to grind them. I grind my coffee just before I make a pot.
Of course I regret to say don’t make the butter as well. Good, unsalted French butter is now extremely difficult to find, far harder to obtain than posh olive oil, which you can buy just about anywhere in London. Sometimes I head off to Borough Market to see the man on the Echiré stand who cuts me a slab from the ‘motte’, or mound. I can generally find it at the Cave à Fromages in South Kensington, but since my daughter left the Lycée in the summer, I have less reason to go there. I have thought about acquiring a cow, but there is little space out the back and I certain the council would complain. They complain about pretty well everything.
Posted: 2nd January 2014
So 2013 is behind us, but for me at least, 2014 has yet to arrive. I am still fighting last year’s battle, and the pleasures of the table don’t seem to be much to hand either. Two more months and I may emerge human again or I may lie lifeless at the bottom of the trench.
Still as I sit here alone (family away in Devon) at the dawn of a New Year, I can say that Christmas was remarkably good despite the lean times. I was able to find a few decent or interesting bottles and there were some lovely things to eat.
When friends came on the 21st, for example, I fished out a magnum of Schloss Vollrads Charta Rheingau Riesling Kabinet 2001. This was, I think, more interesting than good. It was a little throwback to the experimental years of the eighties when Rheingau growers wanted to make dry wines but failed to get their grapes ripe enough to produce an adequate balance. The result was a sharp-ish sort of Riesling: none of the sweetness that gave it ‘charm’ nor the power that made it viable as a dry wine. How much better have they become now that they have managed to get the grapes properly ripe. Dry Grosses Gewächs is surely the future for most German Riesling.
Then another friend came to dinner on Christmas Eve. We had already opened some Laurent Perrier NV while we decorated the tree. I generally find Laurent-Perrier is wound too tight, which makes it an unexciting NV champagne, but we’d had this bottle in the house for a couple of years and it was all the better for it. I had found a fresh foie gras at Harry’s in Kentish Town and marinated it the night before in half a glass of super-sweet Gonzalez-Byass Pedro Ximenez Noe, with some salt, pepper and nutmeg and cooked it in the morning for three-quarters of an hour in the lowest possible oven. It is lovely how the fat comes out and swims over the liver. That fat gives the foie gras a remarkable shelf life. There is still some left. I noticed it in the fridge this morning.
With the foie gras I brought out Franz Hirtzberger’s Singerriedel Riesling Smaragd 1990. I don’t recall 1990 being the greatest year, and this might have been better a while back, but it was still a super wine, in that baroque idiom that is Hirtzberger’s stock-in-trade and still makes him about the best grower in the Wachau.
Our guest has an aversion to white wine, and he had brought with him a bottle of Joseph Voilllot’s Volnay 1er Cru Les Fremiots 2005, which a Frenchman at Roberson had told him would go well with the lobsters I had popped in the pot shortly before he arrived. I was unable to confirm this, as I stuck resolutely to the Riesling: I didn’t fancy the idea of Volnay with lobsters. I drank the Volnay with the cheese and I thought it was wonderfully long and sinewy wine and an excellent choice. After our Stilton, there were a couple of bûches: one with chocolate and the other with marrons. I opened some of my old friend Johann Münzenrieder’s Bouvier Trockenbeerenauslese 1995. I think my daughter had a small glass, otherwise just me. I finished the rest watching Scrooge after my Christmas dinner.
The best wines should unlock memories, like some sort of Proustian madeleine. I don’t know when I first met Münzenrieder, but what struck me most about him was the fact that the more excited he became, the more he spoke Appetlönisch: the patois of his village on the Austro-Hungarian border. If you believe you have mastered German, think again.
We were just the family on Christmas Day. While the children unwrapped their presents there was a bottle of Roederer 2003, with a little whiff of fresh apricots which I imagined I found too on the Guerlain scent an uncle had so kindly given my daughter. The real treat was with the beef: Roumier’s Chambolle-Musigny 1er Cru Les Amoureuses 1994. It had perhaps lost a little weight in the ageing process, but the structure and length were just heavenly. I think that was the last Roumier I had: pity.
Boxing Day was back to work, although we did have a nice bottle of Denis Dubourdieu’s Clos Floridène Graves 2004. It all seems but a memory now. Back to my trench.
Wine & Food Diary entries posted before 2014 can now be found in the Wine & Food Diary Archive.